let

(verb)

make it possible through a specific action or lack of action for something to happen

All clip examples

• Well now, don't get excited, let me help you off with your coat. You're the one who's excited... Look at you. (Scarlet Street)
• Well, let's get going. (The Amazing Mr. X)
• Let me help you up. (The Amazing Mr. X)
• Let your mind be free and receptive. (The Amazing Mr. X)
• Let's sneak around back. There may be a window we can look through. Or climb through. (The Amazing Mr. X)
• Come on, Hoffmann, let's get outta here. (The Amazing Mr. X)
• Go on, Alexis, let them see for themselves what you can do. (The Amazing Mr. X)
• Okay let's go. (The Amazing Mr. X)
• Well, let's begin the seance now. (The Amazing Mr. X)
• You won't let them find me? (The Strange Love of Martha Ivers)
• All right, Martha. Let's go. (The Strange Love of Martha Ivers)
• Let him go, Martha. (The Strange Love of Martha Ivers)
• I let you in, you take the money... I let you out. (Scarlet Street)
• He wouldn't let you alone, isn't that right? (Scarlet Street)
• She never let anyone see her paint. (Scarlet Street)
• Now, let's move it. (Night of the Living Dead)
• And it was Walter who let me in. (The Strange Love of Martha Ivers)
• Before they let me out they took me to the D.A.'s office. (The Strange Love of Martha Ivers)
• Now I'll let Martha give it to you. (The Strange Love of Martha Ivers)
• I bought a new outfit. I want to show you. Well, let's take a look at it. (The Strange Love of Martha Ivers)
• Let's stay here, Sam. (The Strange Love of Martha Ivers)
• Come on, let's go. (The Strange Love of Martha Ivers)
• Well, let's get back to our drinks. (The Strange Love of Martha Ivers)
• What do you say? Let's get down to business. (The Strange Love of Martha Ivers)
• Let's get out of here. (The Strange Love of Martha Ivers)
• Come on. Let's get out of here. I love to watch the city from this spot. (The Strange Love of Martha Ivers)
• Let it burn, Sam. (The Strange Love of Martha Ivers)
• Oh, come on, come on. Let's try it. (Love Affair)
• Then let go! (The Strange Love of Martha Ivers)
• Have you seen my gal Louisa? Let me fire you up. (One-Eyed Jacks)
• We'd be fools to let him go, knowing so much about us. (The Strange Love of Martha Ivers)
• We can't let him go, can we? (The Strange Love of Martha Ivers)
• Let's get us a drink. (One-Eyed Jacks)
• Come on, let's go. (Plan 9 from Outer Space)
• You're injured man. Let us take you into the house. (Angel and the Badman)
• Here let me! (Angel and the Badman)
• Worth, it's like I was saying. I ain't got any use for all that extra water. Why shouldn't I let my neighbors use it? (Angel and the Badman)
• So it's no skin off your moccasins if you let a little water over that ditch. (Angel and the Badman)
• Let's go. (Angel and the Badman)
• And don't let that grey hair fool you. He's a curly wolf. (Angel and the Badman)
• Let me get this man out of your house. (Angel and the Badman)
• Are you ever going to run down and let me talk? (Angel and the Badman)
• Let's call it off, Margaret... (Angel and the Badman)
• He persuaded Frederick Carson to let down the water. (Angel and the Badman)
• Here, let me help you. (Angel and the Badman)
• Let me look at you. Oh, it's wonderful to have you back. (Love Affair)
• Let's find a saloon. (Angel and the Badman)
• I would never let that Hondo Jeffries pistol whip me. (Angel and the Badman)
• Let's saddle up men. (Angel and the Badman)
• Let's get out of here. (Angel and the Badman)
• No, thanks. Let's break clean. (The Strange Love of Martha Ivers)
• Let's get cinched up. (Angel and the Badman)
• Alright buddy, you can let it ride. Owner off of 17. (Angel and the Badman)
• Let's shake up for it. (One-Eyed Jacks)
• Stop jabbering and let's go. (Angel and the Badman)
• Let's go. (Angel and the Badman)
• Let me tell him. (Love Affair)
• Let's go. (The Amazing Mr. X)
• I'll think it over and let you know in the morning. (Love Affair)
• I'm going to ask you once more, why don't you let me help you? (Love Affair)
• if I let you finance my getting well, he wouldn't like it. (Love Affair)
• Sure. Come on, let's hear it. (Love Affair)
• Let's talk about me some other night. All right. (Love Affair)
• You know, I... Look, look, let's talk about you now. (Love Affair)
• Well maybe we can let her down easy. (The Wasp Woman)
• Oh, let's see... (Love Affair)
• Look at me, I live at 186th Street and they won't let me on the subway. (Love Affair)
• Thank you for letting me trespass. (Love Affair)
• We can't just let Zinthrop build up her hopes and then knock the props out from under her. (The Wasp Woman)
• Now be a good girl and let me alone! (The Last Time I Saw Paris)
• Well, let's see. I...I waited until about... (Love Affair)
• Let me see now... you were one of the ones at the Ritz bar. (The Last Time I Saw Paris)
• Well, let us hope so. (The Last Time I Saw Paris)
• Let's see what my influence and lots of money can accomplish. Maurice! (The Last Time I Saw Paris)
• I'll have to call back and let you know. (Love Affair)
• Ah, now look, let her alone. After all, I was expelled from Harvard, wasn't I? Why shouldn't a girl follow in her father's footsteps? (The Last Time I Saw Paris)
• Let me alone. (The Last Time I Saw Paris)
• I've got a better idea, let's go to my Father's celebration. (The Last Time I Saw Paris)
• Don't ever let the celebration end. (The Last Time I Saw Paris)
• Let's see, that means if we pool our resources we have... 40. (The Last Time I Saw Paris)
• Now please go back to your party and let me alone. (The Last Time I Saw Paris)
• Japan offered to surrender if... What! Where! if we let the Emperor stay in his throne. (The Last Time I Saw Paris)
• Go away and let me alone. (The Last Time I Saw Paris)
• Why let it spoil yours? (The Last Time I Saw Paris)
• Well, let me know how he makes out. (The Last Time I Saw Paris)
• Let's send it off tonight. (The Last Time I Saw Paris)
• Let's get going. (One-Eyed Jacks)
• If you love me, let's go back home. (The Last Time I Saw Paris)
• You used to say, let's live it up a little. (The Last Time I Saw Paris)
• Don't let Vicki make the same mistakes. (The Last Time I Saw Paris)
• At least, I'll never let you be lonely. (The Last Time I Saw Paris)
• I won't let him. (The Last Time I Saw Paris)
• Please let me come and live with you. (The Last Time I Saw Paris)
• I was hoping she would let me have Vicki back. (The Last Time I Saw Paris)
• Be sure to let me know when it arrives. (The Wasp Woman)
• Marion, you're not going to let me have Vicki? (The Last Time I Saw Paris)
• Yes, yes, I know, but Mr. Barker, let me just show you something. (The Wasp Woman)
• Just let me show you something. (The Wasp Woman)
• Let's say an old dog and a young dog. (The Wasp Woman)
• I'm gonna have to let you go. (The Wasp Woman)
• Come on, I'll let you buy me dinner. (The Wasp Woman)
• Come on, let's get out of here. (Scarlet Street)
• Will you let me talk to Bill a minute, Sue? Thanks. (The Wasp Woman)
• Bill, let's get out of here, I don't like it. (The Wasp Woman)
• We're in Mr. Zinthrop's room. Something's happened down here. Here, let me talk to her. (The Wasp Woman)
• I must help, I'm responsible. Don't let him get up, Mary. (The Wasp Woman)
• Don't worry, Mr. Zinthrop, we won't let anything happen to Miss Starlin. (The Wasp Woman)
• Let us punish the guilty, (Plan 9 from Outer Space)
• let us reward the innocent. (Plan 9 from Outer Space)
• That's the best thing for us too. Gone. Yeah, let's go. (Plan 9 from Outer Space)
• Let's go home. Let's go home. (One-Eyed Jacks)
• Well let's see, Greenwich Village is full of artists... (Scarlet Street)
• Well, if he's fool enough to let you do it, go ahead. The sooner the better. Yes. (Scarlet Street)
• Come on. Let's get down there and pick them apples. (One-Eyed Jacks)
• You let me worry about that. (One-Eyed Jacks)
• Old Rogers let me have it for 18. (Scarlet Street)
• Let's have a problem first, huh Danny? (Plan 9 from Outer Space)
• Let's go get it. (Plan 9 from Outer Space)
• Well, let's go down and find out whose grave it is. (Plan 9 from Outer Space)
• We sure could try it. Let me have them. (Plan 9 from Outer Space)
• I'm going to let you help me. (Scarlet Street)
• march them on the capitals of the Earth, let nothing stand in your way. (Plan 9 from Outer Space)
• But if that's what you want, just let me know how and where you want the play. (One-Eyed Jacks)
• You can never tell. Let's get going. (Plan 9 from Outer Space)
• You going to let them find us? It's the only way. (Plan 9 from Outer Space)
• Let him finish. (Plan 9 from Outer Space)
• Let me smell your breath. (Scarlet Street)
• Let's go. Come on. Where is Louisa? (One-Eyed Jacks)
• Oh, let's not talk about it now, dear. (Scarlet Street)
• I wouldn't think of letting you go alone... Darling. (Scarlet Street)
• Let's go to glory, Dad! (One-Eyed Jacks)
• Let him go, man. His mind is made up. (Night of the Living Dead)
• You're gonna let them get her too, huh? (Night of the Living Dead)
• I'm about through, Ben, you can let me out in a minute. Yes, sir. (Scarlet Street)
• Let me have your name and address. (Scarlet Street)
• Oh, that's it. Let's have it! Come on! (One-Eyed Jacks)
• Come on, let's get some of that beer. (One-Eyed Jacks)
• Now wait a minute! Let's think about this. (Night of the Living Dead)
• I wonder if Miss March would let me have all of these? (Scarlet Street)
• So let's at least consider this a while. (Night of the Living Dead)
• Let him talk about what he wants to talk about, and he won't talk about art. (Scarlet Street)
• Never lets anyone see it. (Scarlet Street)
• Don't bother, I'll let myself out. (Scarlet Street)
• You better not let your wife hear you talking like that. (Scarlet Street)
• Let's go, Harv. Yep. (One-Eyed Jacks)
• Let's not talk about it. Now you go on and paint. (Scarlet Street)
• Well, let's decide about Friday later. (The Amazing Mr. X)
• Let's get away from here. (The Strange Love of Martha Ivers)
• You wouldn't let me do that, would you, Martha? (The Strange Love of Martha Ivers)
• - Let's talk about something else. - What do you want to talk about? (The Strange Love of Martha Ivers)
• Okay. Then, let's go. (The Strange Love of Martha Ivers)
• Let's see, you left here September 27th, 1928. (The Strange Love of Martha Ivers)
• Let me sit here awhile. (The Strange Love of Martha Ivers)
• A little girl in a cage, waiting for someone to let her out. (The Strange Love of Martha Ivers)
• - lf you had let me handle it... - I didn't like what you had in mind. (The Strange Love of Martha Ivers)
• Sam, don't. Let it burn. (The Strange Love of Martha Ivers)
• Let's get out of here. (The Strange Love of Martha Ivers)
• What's serious? Let's go home, huh? Just for a little while. Let's go home. Oh! (One-Eyed Jacks)
• They wanna stay up there. Let 'em. (Night of the Living Dead)
• Let's take a little walk, you and me. (One-Eyed Jacks)
• Let's put him in the rig. (One-Eyed Jacks)
• Let's see you drink. No, I don't want any. Why not? (One-Eyed Jacks)
• Now, let's see the kind of stuff you're made of. (One-Eyed Jacks)
• Come on. Let's go. (One-Eyed Jacks)
• Let them stay upstairs. Let them. (Night of the Living Dead)
• Let's go back to Morelos and lay in the sun. (One-Eyed Jacks)
• But first let me stress the importance of seeking medical attention for anyone who's been injured in any way. (Night of the Living Dead)
• It ain't the Fourth of July. Let's go. (One-Eyed Jacks)
• Let me see. Maybe I can think of one. (One-Eyed Jacks)
• Let's go. (One-Eyed Jacks)
• Alright. Let's go. (One-Eyed Jacks)
• Let's see you pull it, Lon. (One-Eyed Jacks)
• Let's don't forget about her. (One-Eyed Jacks)
• Let's go up. (Night of the Living Dead)
• Let me see it. (One-Eyed Jacks)
• I'm taking you out of here and let Tim keep you till your daddy gets back. (One-Eyed Jacks)
• I'm not gonna stand by and let him ruin... Killing him will not help! (One-Eyed Jacks)
• Let's get some more lights on in this house. (Night of the Living Dead)
• Let's get out of here! (Night of the Living Dead)
• So now let's go to that film report. (Night of the Living Dead)
• Let's go check out the house. There's something there. I heard a noise. (Night of the Living Dead)
• Ok, he's dead. Let's go get him. That's another one for the fire. (Night of the Living Dead)
• Come ahead with the motorcycle, please. Let's go! (Night of the Living Dead)
• Oh, Charlie, darling, please marry me and let's stay here. Please? (The Last Time I Saw Paris)
• Leave the cell door open. That's all there is to it. Let him escape. (The Stranger)